I am pleased to announced Uno Lady has partnered with Earthquaker Devices and is a featured artist. Their pedals have become a key component in my performances. They are also locally made in Akron, Ohio, by great people, and have a lifetime warranty.
“Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes with layered and processed vocals, which range from a smoky tenor to operatic outbursts of melody…” (full article here)- Earthquaker Devices
I’m pretty excited to share with you my cover of “Tonight You Belong To Me!”
I visited New Orleans for an environmental conference, took advantage of the location and explored every chance I had. A pal of mine mentioned checking out the Spotted Cat, a music venue on Frenchman Street. The final night was unforgettable. I heard one of my favorite song played live for the first time. The Jumbo Shrimp Jazz Band performed “Tonight You Belong to Me” and I belted along from the audience.
The song was originally written in 1926 by lyricist Billy Rose and composer Lee David. The versions I’m most familiar with are Patience and Prudence and the adorable scene with Steve Martin and Bernadette Peters in The Jerk.
Video by Chris Tran, Brad Throla and Jess France. Audio recorded by Jeff France at EarthQuaker Audio Recording Laboratory.
EarthQuaker Devices built me a pedal board and now my sound library feels limitless. I’m sonically inspired – like a jolt to my creative process. I’m playing around with Avalanche Run, Disaster Transport Sr., Levitation, Arpaniod, Bows, Afterneath, Transmisser, The Depths, Night Wire, and the Organizer. Check out each device here. EarthQuaker Devices pedals are handmade by fellow musicians and music lovers in Akron, Ohio and have a lifetime warranty.
AKRON, OH – “Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes with layered and processed vocals, which range from a smoky tenor to operatic outbursts of melody.
In this performance of “Underground” she uses the Bows’ treble mode with the Afterneath and Disaster Transport SR to craft an ambient, slightly overdriven wordless backing vocal that sits tight in the mix before adding the melody. From her DIY suitcase podium, she builds layer upon intertwining layer of call-and-response vocal patterns that lift off into a dreamlike fugue state before engaging the Avalanche Run at the song’s end, using the reverse function to bring it all tumbling down, down to the “underground” of the song’s namesake.” –Arron Rogers, EQD