Uno Lady live at the Akron Art Museum
Akron Art Museum presents Midwinter Blues & Other Tunes with music by Uno Lady & Oregon Space Trail of Doom. Performances were recorded in the Museum’s Haslinger Galleries by Akron Recording Company.
Akron Art Museum presents Midwinter Blues & Other Tunes with music by Uno Lady & Oregon Space Trail of Doom. Performances were recorded in the Museum’s Haslinger Galleries by Akron Recording Company.
Uno Lady’s Akron Soul Trail artist-in-residency free performance with Jeri Sapronetti (Time Cat) will be on February 8, at 7pm.
Akron Recording Co.
243 Furnace St suite b, Akron, OH 44304
Event page
I visited EarthQuaker Devices in Akron, Ohio to record this new song I wrote, “Underground.”
Video by Chris Tran, Brad Throla and Jess France. Audio recorded by Jeff France at EarthQuaker Audio Recording Laboratory.
EarthQuaker Devices built me a pedal board and now my sound library feels limitless. I’m sonically inspired – like a jolt to my creative process. I’m playing around with Avalanche Run, Disaster Transport Sr., Levitation, Arpaniod, Bows, Afterneath, Transmisser, The Depths, Night Wire, and the Organizer. Check out each device here. EarthQuaker Devices pedals are handmade by fellow musicians and music lovers in Akron, Ohio and have a lifetime warranty.
AKRON, OH – “Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes with layered and processed vocals, which range from a smoky tenor to operatic outbursts of melody.
In this performance of “Underground” she uses the Bows’ treble mode with the Afterneath and Disaster Transport SR to craft an ambient, slightly overdriven wordless backing vocal that sits tight in the mix before adding the melody. From her DIY suitcase podium, she builds layer upon intertwining layer of call-and-response vocal patterns that lift off into a dreamlike fugue state before engaging the Avalanche Run at the song’s end, using the reverse function to bring it all tumbling down, down to the “underground” of the song’s namesake.” –Arron Rogers, EQD