For many, inner peace has never been more elusive than it is right now. So in a new video for “Meditación,” Christa Ebert–aka Uno Lady–wants to make mindfulness more approachable. The track comes from her latest album, GROUNDED, in which the Cleveland experimental artist blends art pop melodies and ambient soundscapes with the language and practice of meditation. It’s an hour-long experience based on mantras as choruses and breathing exercises as spoken-word lyrics.
Since she made the record in part with grant money from the SPACES Urgent Art Fund and Cuyahoga Arts & Culture, she wanted to make it useful to as many people as possible. That’s one reason she approached Erica Snowden-Rodríguez, who lends their voice and cello to “Meditación.” “It was important to me to have a meditation in Spanish because GROUNDED is a public art project,” says Ebert. “I want the piece to be accessible and inclusive in a variety of ways.”
Ebert and Snowden-Rodríguez previously worked together on “Capacity of Love” for Osmosis, the previous Uno Lady record. For “Meditación,” they wrote together at a distance, working in their respective studios and combining their efforts virtually. “I asked Erica to guide a breathing exercise and said if they wanted to add cello, go for it,” says Ebert. “They sent back the most stunning eight-minute piece. I composed the vocals around their words and looped cello. I sang arias, added field recordings of crickets and cicadas, and learned how to polytonal sing for the recording.”
To accompany GROUNDED, Ebert released a short film of the same title, incorporating selections from the album, nature footage, and animations by Sequoia Bostick. The video for “Meditación” expands on that side of the project, pairing Snowden-Rodríguez’ deep, relaxing cello drones with clouds and sunsets filmed from Ebert’s backyard. “The visuals melt like watercolors and paint landscapes to get lost in,” she says. Watching it now, I like seeing the clouds merge into each other. I appreciate that it engages an added sense and gives the audience something to view while experiencing the meditation.”
Next time you need a quiet moment and a deep breath, you can check out the video for “Meditación” here:
Uno Lady’s GROUNDED: Meditación, Guiado por Erica Snowden-Rodríguez y su violonchelo
Meditación es un ejercicio de respiración compuesta por Christa Ebert y Erica Snowden-Rodríguez. Meditación está en el nuevo álbum de Uno Lady, GROUNDED. GROUNDED es una película y álbum experimental ambiental inspirado por la consciencia.
Sound and visual artist Christa Ebert has recently released GROUNDED, a 20-track album and experimental film promoting mindfulness and meditation. Active musically since 2007, Ebert often uses effects pedals looped with vocals to create atmospheric and dream-like soundscapes. Her newest effort was created in-part through a grant from SPACES, which supported the creation of the 24-minute film that accompanies the album. Sonically, GROUNDED includes mantra, guided meditation, and binaural beats to promote deep relaxation. Composed using field recordings, synthesizers, bells, vocal harmonies, and polytonal singing, it is an invitation to relate at a deeper level.
We recently caught up with Christa via email to discuss the album and film. You can read the interview below. Additionally, we’ve included Uno Lady’s new video for “You Are Love,” a guided meditation led by LaToya Kent, as well as embeds for the album and film.
LETV: To those who aren’t familiar with Uno Lady, fill us in on what this project is all about. It’s not a “band” correct? What motivates you to collaborate and write music in such a unique style?
CE: My name is Christa Ebert and I’ve been performing as Uno Lady since 2007. Using my voice and effect pedals I loop and layer vocals to create a dreamy soundscape.
I am a one-woman band. I compose and sing all the parts. For the past few albums I’ve invited a few musicians that I admire to join me and write a few songs together.
My latest release is an album and experimental film series inspired by mindfulness that includes mantras, soothing songs, and guided meditations. Filmed mostly in my backyard in Cleveland, Ohio during the pandemic, I created stop-motion animations with homegrown flowers, sweet potatoes, drawings, and spliced it together with calming footage of nature. The music features mostly vocal harmonies, polytonal singing, field recordings of nature sounds, bells, binaural beats, and synths sprinkled throughout.
LETV: Speaking of collaboration, tell us more about LaToya Kent on this track; what is your working relationship like and how did they contribute to “You Are Love”?
CE: LaToya Kent is a Cleveland musician who performs solo and as part of Mourning [A] BLKstar. We became friends performing at shows on the same bill. In September, we worked on a project together and jammed on my porch. I recorded the improv performance and interview and shared it on youtube. I asked her to be the guiding voice on “You Are Love” because she is a trained meditation teacher. Her calm and cool presence is contagious. She wrote the meditation and I wrote the soundscape to match her words. The audio is reverb drenched vocals, field recordings of nature sounds from the French countryside, modulated space sounds recorded by NASA, and polytonal singing. The video features a timelapse of clouds and calming lavender from my garden.
LETV: Your new album “Grounded” seems to have quite a bit of support, especially by the SPACES Urgent Arts Fund out of the Cleveland area. Was this a COVID relief program that helped you create it?
CE: The Urgent Art Fund through SPACES is a project based grant that supports visual art that is “socially, politically, and culturally responsive.” The grant program existed prior to the pandemic and is not COVID relief. However, I did apply to create a meditation project to respond to the stress we were experiencing due to COVID. Having a positive project to focus on helped me stay hopeful. I wanted to create an enchanting environment we can experience safely. The film GROUNDED is a socially distant alternative to a record release show. The videos add another layer to get lost in, mesmerizing the senses. You can watch the film GROUNDED on Youtube, stream the soundtrack on all platforms and buy the digital album through Bandcamp.
LETV: Does your hometown or the surrounding area have any influence on what you’re doing musically?
CE: The scene in my hometown has been supportive, and in part, shaped my sound. Music is the center of my community. I grew up going to punk shows, so when I started playing live, DIY and punk venues are where I performed. I like Cleveland because the music scenes intermingle. We appreciate all types of sounds. We make music because we want to and the output is authentic and raw. Having that as an influence and incubator has allowed me to embrace my creativity as an explorative and evolving process.
I miss the music community. I made GROUNDED as an album and the videos to experience something together while we’re apart. I wanted to reach people in their own safe environment and offer a moment of relaxation when they are ready to receive it.
LETV: Last question; I’m sure you’ve got a lot of plans for 2021, especially with the possibility of things returning to normal, what can you share with us?
CE: Before the pandemic, I had planned on touring to promote my 2019 LP release, OSMOSIS. I’d love to hit the road and share songs when it is safe to do so. I’m looking at this forced pause as an opportunity to write and record. I have a long list (100+) of ideas that are nearly complete that I am chipping away at. At an artist residency in France, I wrote dozens of songs and recorded improv performances in cathedrals around Europe. I’d love to finish and release that project this year.
Christa Ebert, better known as Uno Lady, has been meditating for years. Yet, like many of us, she felt like she couldn’t pay attention for long stretches and never had the time in her busy schedule to stay consistent.
In fact, on her 2014 album Amateur Hour, she wrote a tongue-in-cheek song called “5 Minute Meditation Guide,” in which she pokes fun at her inability to quiet her thoughts for more than five minutes. “Picture all the crap in your life,” she whispers. “Just poop it out.”
“Even though I would try continually, I did think I was bad at mediation,” she says. “Then I was given the knowledge that it’s OK that you’re still thinking when you’re meditating. That’s just what our brains do. It’s just the judgment we tie to those thoughts that can cause distress.”
This breakthrough allowed her to deepen her meditation journey — along which she brings listeners with her January release Grounded. Ebert’s new record is a much-needed hour of peace in a chaotic world. Recorded at home while self-isolating and often right after meditating, the piece, which features the classic, layered Uno Lady vocals as well as field recordings mostly taken from her backyard, works as well as a guided meditation as it does an ambient background listen.
On Grounded, Ebert positions herself more as a well-read facilitator than a mindfulness expert. Expertise is instead pulled from simple books like 101 Meditation Tips or those in the Buddhist canon or local authorities. “Breathe,” for example, features Mourning [A] BLKstar singer LaToya Kent, who works as a meditation teacher. Meanwhile, cellist and practitioner Erica Snowden-Rodriguez offers an inclusive voice on “Meditacion,” which offers Spanish guidance, that is as comforting as their cello playing, even for non-Spanish speakers.
“I’m not trying to say I’m a healer or that this album is going to cure people of anything,” she says. “Music is just a really great communication tool, and there are these practices that have been around for thousands and thousands of years that you can learn from.”
The sonic elements, though more ambient and less structured than her typical pop heartbreakers, will feel more familiar than the lyrical themes to Uno Lady fans who have enjoyed 2014’s Amateur Hour and 2019’s Osmosis. These lush tracks make Ebert one of the area’s most singular artists even amongst Cleveland’s diverse pop music landscape. Grounded’s “Open Your Heart,” for example, features 69 vocal tracks layered, harmonized and manipulated with effects such as reverb (think singing into a cave) into an unrecognizable wall of sound. Only the occasional synthesizer, bell and meditation bowl flourish the 54-minute album.
“These are some of the biggest songs I’ve ever written,” she says. “It was such an exploratory process. They might have been bigger if my computer could handle it.”
The project, which was supported by Spaces Urgent Art Fund and by a public grant from Cuyahoga Arts & Culture, was also accompanied by an experimental film of the same title, which Ebert shot mostly in her backyard. The film’s animation was created with the help of illustrator Sequoia Bostick.
”I left my one full-time job a few weeks before the pandemic to promote another record and go on tour,” she says. “So, I wanted to stay true to my mission of, you know, having creativity is my core value and my purpose in life.
In making the record, Ebert realized that she was actually pretty good at meditating — even if some of her versions of the practice looked a bit different from tradition. The hypnotic flowstate she reaches while singing (which she compares to traditional chanting) and making music does much of the same things to her brain that meditation sets out to do. She hopes Grounded can be a similar bridge to mindfulness for music fans.
“[Making music] is when I am able to disconnect and process my emotions and thoughts constructively,” she says. “People think meditation is one thing, but really it can be anything that helps you disconnect from worry for a brief moment.”
“Christa Ebert, who performs as Uno Lady, composes songs with her voice, electronic effect pedals and unconventional instruments. She layers her vocals and loops the accompanying sounds, the result of which sounds like a one-woman choir.
Ebert released “GROUNDED” Jan. 12, a 20-track album of guided meditations, accompanied by music she created, recorded, produced and mixed. The music features vocal harmonies, field recordings of nature sounds, theremin, singing bowls, bells and synths.
On Dec. 14, 2020, Ebert digitally released an experimental short film that features 11 of the songs from the “GROUNDED” album. She captured much of the album’s visuals in her garden at her home in Cleveland during the COVID-19 pandemic.
“GROUNDED” is supported by the SPACES Urgent Art Fund and by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture.
Music as meditation Ebert said her music has a soothing, meditative quality to it. She released a five-minute meditation in 2014 that served more to poke fun at her short attention span.
Over the years, people have asked her to make more recorded meditations. Interest increased when the pandemic started.
With “GROUNDED,” Ebert said she has been able to acknowledge her overthinking brain and be in the present moment.
“I thought I was really bad at it. I meditated for years,” Ebert said. “But now, I know that overactive thinking and constant thinking is kind of normal. It’s the judgment that we tie to these thoughts that cause our suffering.”
Chanting made her realize that she had been meditating her whole life, and singing is her meditation.
“It’s deep breathing, the vocalization sends deep vibrations into my body and when I write songs, I’m in a flow state. So, music is my medicine, and songs are the sound of my soul singing,” she said.
The album is made up of mindfulness exercises, mantras and positive affirmations.
Her approach to meditation makes it accessible and manageable for people who may have experienced anxiety during the pandemic.
“I decided to make something good come of a terribly tragic situation,” she said. “Life is full of worry, but you’ve got to balance the perspective. So when chaos is overwhelming, there are still beautiful occurrences happening.”
Creating soothing songs in a challenging year As 2020 unfolded, Ebert left her job and wanted to focus more on creating music.
“Because touring was no longer an option—because the music scene drastically changed—I started to take inventory of all the things I wanted to work on,” she said.
Ebert said she was overextending herself for over a decade, and it was taking a toll on her physical and mental health. Work magnified that demand, and she channeled her anxiety into overthinking and productivity and planning.
“It just left me with little silence,” she said.
The “GROUNDED” project was healing, she said. She’s always juggled a job or two and never had as much time to focus on a creative project prior to 2020. She was always frustrated or rushed by having to “squeeze in” creativity in the past.
She said she had a lot of meditation ideas and heard about the SPACES grant, which was created for regional artists to help the community in some way.
She said the grant was a good opportunity to explore her meditative and creative ideas, and it allowed her to provide something healing to people she could not see in person.
“It really helped me stay positive in 2020. It also helped me feel like I was able to be there for people I care about without being physically present,” she said.
This project also allowed Ebert to find beautiful things in a space she couldn’t leave due to travel restrictions and stay-at-home orders.
“[It was a] personal exploration, for me, on what mindfulness and meditation is and introducing new forms or creative ways of thinking about mindfulness and meditation that might be helpful to other people,” she said. https://www.youtube.com/embed/PEhCgaifG18?enablejsapi=1
The process of creating a meditative album and visual component Ebert researched the healing effects of sound and mindfulness and listened to dozens of audiobooks from the library in preparation for this project.
She said singing is meditative and mood boosting, and each song she recorded cycles through various emotions.
“[Music] is what keeps me grounded. It’s what helps me stay connected in my body. It took me a long time to realize that, and with this grant, I started to dive more into the sciences behind that,” she said.
To create the songs “Here Now,” “Awaken the Peace Within,” and “Binaural Bees,” she would meditate in her garden, film flowers, capture nature sounds then go into her home studio to record, so actual meditation became part of the process of making the album.
Ebert has already been recording her music in her home studio for years, and she is recognized for the experimental video art she films and edits then would broadcast during her Uno Lady performances.
She filmed most of the “GROUNDED” visuals in her own backyard. She used organic elements and nature to create animations.
“[I was] trying to find beauty in the things that maybe you overlook. Getting really close up to the flowers that I grew, followed around some bees, just looking at stuff from a different perspective and layering it,” she said.
The initial idea was to make small, bite-sized segments. Ebert said because Instagram limits video uploads to one minute in length, she thought she would make minute-long songs she could share using the platform
“We all have kind of shorter attention spans now, so a lot of the songs I went at with a minute-long mindset,” she said.
Kent is a meditation teacher and musician. Her guided meditations appear on the “GROUNDED” tracks “Breathe” and “You Are Love.” These are breathing exercises accompanied by Ebert’s original, composed music.
“I asked her to record meditations, gave her creative freedom, trusted her expertise and then wrote music around her words,” Ebert said.
They met by working together on a digital show they were going to put together for Mahall’s.
“We were hanging out on my porch, I set up the recording equipment out there, and I didn’t know this about her—that she was a meditation teacher,” Ebert said.
Ebert said she didn’t feel as confident in her own ability to record guided meditations, and she was aware of the fact that a lot of meditations are recorded by white women. She wanted to bring more diverse voices into “GROUNDED.”
“So I felt like LaToya was the best fit and superqualified. She’s just such a calm, collected presence. It was just perfect,” Ebert said.
She also worked remotely with Cleveland animator and multimedia artist Sequoia Bostick on the visual pieces for “Ways We Wish the World Was,” “Ditch Resistance,” “Chill Out For One Minute,” and “Here Now”.
Akron Symphony Orchestra cellist Erica Snowden-Rodríguez plays cello and does a guided meditation in Spanish on the “GROUNDED” track “Meditación,” which Ebert said is one of her favorites.
Getting the most out of the listening experience Ebert said “GROUNDED” is for anyone who wants to explore sound as a form of relaxation.
She recommends listening to the album through high-quality headphones and starting with the breathing exercises.
She said listeners should treat it as an introduction to other forms of meditation that may work for the individual person.
“GROUNDED” captures the sounds and environment Ebert experienced during lockdown and could help show others how to find joy in elements that were previously overlooked.
“It’s an overarching theme of 2020 because we are encouraged to stay alone as much as possible, and then we’ve all had a lot of time to reflect on things that are important to us and things that make us happy. Learning to adapt and foster resilience,” she said.
She said she had moments of doubt that she could do it in the beginning. Then she wrote 20 songs, and she has 20 more ideas she hasn’t finished yet.
“There were no directions. There were no rules. I had to make it up. I had to stay focused and productive, and I’m really proud of it. That’s not something I say that often,” Ebert said. “I really think it’s my best work that I’ve made to date.”